I once spent an afternoon with a 94-year-old woman from Turkey who knew songs I had never heard.

I made the whole house watch. At nine I went along to my dad's guitar lesson. He quit, I never stopped.

I had no label, so I made one. It became home for my recording, publishing and management, and for artists I worked with.

After 30+ opera roles, I was invited to sing at events marking 500 years since Spain expelled the Sephardim.

Ballads, courtship and wedding songs, and liturgy, with guitar chords, a Ladino pronunciation guide and translations.

With Noa Ain I wrote about a woman whose longing for love brings it to her. Lincoln Center's Premieres festival staged it.

I once spent an afternoon with a 94-year-old woman from Turkey who knew songs I had never heard.

I made the whole house watch. At nine I went along to my dad's guitar lesson. He quit, I never stopped.

I had no label, so I made one. It became home for my recording, publishing and management, and for artists I worked with.

After 30+ opera roles, I was invited to sing at events marking 500 years since Spain expelled the Sephardim.

Ballads, courtship and wedding songs, and liturgy, with guitar chords, a Ladino pronunciation guide and translations.

With Noa Ain I wrote about a woman whose longing for love brings it to her. Lincoln Center's Premieres festival staged it.